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The same traditional yet unorthodox calling, rooted in the ancient essence of Byzantine universal themes. His monumental art showcases elements drawn from the traditional religious painting schools prevalent in the region, albeit infused with an expressionist inclination that has long been a fixture in the cultural tapestry of the area. The exploration of the religious experience, guided by the established repertoires of iconographic discourse and the rigorous abstraction of Byzantine space, brims with an intensity of presence and a certain dramatic sensuality that imbues his work with a distinct personal character and a tangible commitment.

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